In Jon Lopez-Smith's view it's impossible to define the meaning of Art. His own work has evolved out of an exploration of animal-like geometric shapes and colour on the canvas. As he became more familiar with them these characters evolved into more human form. His work then symbolises a journey of relationship with society and humanity. Certainly his influences, Max Beckman, Joseph Beuys, Otto Dix, were very interested in the existential becoming political or social.

Perhaps it is clearer to understand the purpose of Jon's work as an engagement with and a comment upon the bizarre modern world in which we live. His caricatures, some grinning, others grimacing, form tableaux juxtaposing modern images of Euro-tunnels alongside an icon-like image of a figure upon a cross. The didactic quality is again emphasised by the early Aztec art influences that Jon recognises in his work.

Jon hasn't produced what he considers a really successful piece yet but he likes people's reactions, good or bad. "That is what really inspires me to go on and continue to experiment," he said. Jon's partner, Helen Lopez , is herself a successful artist; however, they prefer to work quite separately from each other at their home near Pentraeth; each of them choosing to explore their own individuality through their work.

"I try not to think of the commercial business of art when I am making pictures because it scares me too much, but I am resigned to exploit my abilities." Living on the island has had a positive effect upon Jon's development as an artist: "I think that Ynys Môn is a very special place and it possesses a very raw attraction. It is that kind of place where problems and ideas become reduced to their essential ingredients."

Jon teaches art at a special needs school in Llandudno.